...a hairline crack running through the thumb hole. |
My main 1.8 is an excellent point in example. It was made for me by my sensei's father, a master craftsman. He had the bamboo sitting in his workshop for 30 years waiting for the right situation to coax a top level shakuhachi out of it. I was honoured to receive it from him. For the first few years that I had it, I was never satisfied with the sound I was achieving from it. I guessed that it was my inability to produce a good sound. On one trip back to Canada in the winter, I took the instrument out of its case only to find that it had several long cracks right through to the bore. It was unplayable. I was heartbroken. On return to Japan, I presented it to my sensei explaining how it happened and hoping that it could be revived He looked at it and laughed (half out of shock and half out of recognition of the unforeseen twists that life often takes.) He took it and gave it back to his father who returned it to me a few weeks later beautifully bound and playing better than it had ever played before. I think that being exposed to an inhospitable climate in the winter of Canada relaxed some stresses that were inherent in the bamboo from its growth and certainly this instrument now has a wonderful, relaxed and contemplative tone. I'm convinced that it offered me a chance to grow with it.
Do take heart. All cracks offer the potential for growth and a slight change in direction. Embrace that and use your good sense to move."
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