
I've been involved in a very general way with shakuhachi making for some time now. I came into it innocently enough. Just being around my teacher(Tsurugi Kodo) and his father(Tsurugi Kyomudo), who has been a master shakuhachi maker for well over 50 years, was sufficient to prick my curiosity on the matter. A few well placed questions caused later and I was thinking of trying to make an instrument myself.
The physical calculations and work went by rather smoothly. I had some training in the art of crafting Noh masks before I tried to make a shakuhachi, so the idea of tedious work was no stranger to me.
It often surprised me prior to having made my first shakuhachi, how much time was involved in its immergence into a playable instrument. It seemed like such a simple construction: a tube, some holes and a blowing edge. I soon learned that there was so much more.
After the initial process of removing the oils and resins by heating, and the initial exposure to sunlight to change the surface colour (about two weeks), the bamboo has to go through a period of curing in relative darkness and controlled humidity. Generally, between one and three years is good for that. Thereafter, the bamboo might need to be straightened in a jig.

As it is, I prefer to make jinashi flutes for now.
And then perhaps the most "difficult" part is learning how to play shakuhachi well enough to make one.
ReplyDeleteJon, though in retrospect, that may well chalk-up to be considered the most difficult part, for me it was and remains to be driven by passion, which has a way of smoothing over the rough times. The learning process is a continuum which rightfully should be embraced for all that it has to offer: difficulties and pleasures alike. When you are able to cast-off the boundaries that we encase concepts like difficulty and pleasure in, it becomes clear that none of it is worth avoiding and all of it can be approached with a smile. Not only does revelation wait at the end of this tube, but sometimes it comes and meets you half way.
ReplyDeleteI don't know about shakuhachi though I'm Japanese. It sounds interesting for me to make shakuhachi. I was surprised that it need two weeks to change the surface colour. If don't want to change the colour, we could cut the two weeks? Or it is necessary work?
ReplyDeleteHi Lily,
ReplyDeleteI don't think it's absolutely necessary to let the bamboo sit in the sun for two weeks, but it's certainly desirable. Should you ever have the interest to try to make a shakuhachi, just let me know. I'd be more than happy to introduce it to you.